Love Poetry Essay Research Paper Love poems free essay sample

Love Poetry Essay, Research Paper Love poems like love itself can be light hearted, heavy hearted or passionate compare three verse forms demoing how relationships can be presented in different ways. is a modern verse form written by Martyn Lowery. The verse form is a duologue of and statement between two lovers. It is written in alternate statements, giving the adult males point of position foremost and the adult female # 180 ; s second. The adult male in the relationship believes that whatever that has happened can be mended or it will melt, but the adult female thinks that it has ruined their whole relationship and can non be swayed. The verse form shows different attitudes towards something that has happened between two spouses. They disagree about the consequence of something that has damaged their relationship. In the first stanza he compares the rift in their relationship to a lesion. The usage of the noun implies that something painful has occurred. We will write a custom essay sample on Love Poetry Essay Research Paper Love poems or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The usage of initial rhyme # 8216 ; skin easy # 180 ; , give the feeling that they will necessitate clip and forbearance. On the opposite side of the page we have the adult female # 180 ; s honest and practical point of view. She believes that the relationship is for good amendss. On the surface it may look all right but underneath at that place will ever be hurting and bitterness # 8216 ; there is ever a cicatrix, a lasting reminder # 180 ; she believes that one neer truly recovers. The feelings of love have changed. Once once more the poet has used an drawn-out metaphor in the undermentioned stanza # 8216 ; detect the strikebreaker of the scald # 180 ; . The usage of initial rhyme, the repeat of the # 8216 ; s # 180 ; sound suggests that angry words have left them scared. He believes that they can bury the yesteryear, start once more, ache will be forgotten. She disagrees, she feels that bitterness will stay ; one can forgive, but neer bury. In the following stanza he states that they are uncomplete without each other. # 8216 ; When you cut you hair, you feel different, and someway uncomplete # 180 ; . His life is empty without her and they should be reunited and bask the fulfilling relationship they had experienced. She disagrees and insists although she cut her hair by the clip it grows once more it will hold changed # 8216 ; During that clip alterations must happen, the manner will be different # 180 ; . He eventually compares the relationship to a ramping storm. Here he uses nature imagination. Once the storm is over there is peace and repose this suggests even after all their wrangles there can be rapprochement # 8216 ; the storm is scaring, but it will son be gone # 180 ; everything base on ballss, memories fade # 8216 ; the rear of barrel in us can be mended # 180 ; . She echoes his usage of nature imagination but feels that the relationship is for good damaged she has a bosom # 8216 ; that can neer be repaired # 180 ; their love is dead. The verse form about sounds like an statement or a argument of different points of positions. Caesura and parenthesis is used to demo the thought procedure. He is seeking to convert her, but she is non swayed. The verse form entreaties to our senses. Effective imagination is used to pass on the injury, hurting and enduring felt in the relationship. # 8216 ; I wan na be yours # 180 ; is another modern verse form written by John Cooper Clark. The individual in this verse form expresses his love in a series of mundane images. It is written in the signifier of a blame he uses conversational address ; there are no capital letters in the rubric. The verse form has no punctuation. The beat is established with the repeat of the words # 8216 ; allow me be # 180 ; and each stanza ends with # 8216 ; I wan na be yours # 180 ; . The poet utilizations mundane objects to show his feelings and to demo how much he adores her. We live in a mercenary society ; it is a verse form of our clip. In the first two lines he explains that he wishes to protect her from injury # 8216 ; allow me be your vacuity cleaner, take a breathing in you dust # 180 ; This usage of initial rhyme ( repeat of the # 8216 ; c # 180 ; sound ) gives a feeling of comfort. He implies that he is reliable and dependable # 8216 ; allow me be your ford cortina, I will neer corrode # 180 ; . He insists that he will be at that place everlastingly. He tells her that he will give her love, fondness and heat when she is down. He will make full her life with passion # 8216 ; if Ys ou like your java hot, allow me be your java pot? . He uses riming for accent. He will let her to hold entire control ‘you call the shots? . In the 2nd stanza he continues to show how he wishes to be in her life. He wants to protect her from harsh conditions and rough words. # 8216 ; Let me be your waterproof, for those frequent showery yearss # 180 ; . He wants to supply her love affair and escape. # 8216 ; Let me be your dreamboat, when you want to sail away # 180 ; . A rhymed pair is used to demo he is willing to supply her with security. # 8216 ; Let me be your teddy bear, take me with you any where # 180 ; . No affair how much attending she needs he will supply it # 8216 ; I don # 180 ; T attention, I wan na be yours # 180 ; In the concluding stanza the poet says his love is unbounded and he has tonss of energy. # 8216 ; Let me be your electric warmer, I will non run out # 180 ; . He will supply her with stableness and security. # 8216 ; Let me be your puting lotion, keep your hair in deep devotedness # 180 ; he expresses the deepness of his emotion with the usage of initial rhyme # 8216 ; Deep as the deep Atlantic Ocean that how deep is my emotion deep deep deep deep de deep deep # 180 ; the repeat of the # 8216 ; d # 180 ; sound shows that his love is sincere and he wants committedness. At the terminal of the verse form we become cognizant that he is in a relationship but is unhappy. The usage of the genitive pronoun # 8216 ; hers # 180 ; implies that he feels stifled. He wants to come in a new relationship # 8216 ; I don # 180 ; T wan na be hers, I wan na be yours # 180 ; . # 8216 ; The mendicant adult female # 180 ; was written by William King. The verse form is pre twentieth century. The verse form is narrative and tells a narrative, it is written in epic pairs. A soft adult male went runing, but had other ideas on his head. He decided to entice the mendicant adult female into the wood in order to score her. The mendicant adult female went volitionally but it becomes obvious from their conversation that she has an illicit kid tied to her back. We presume that the gentleman is his male parent and he has taken to duty for the # 8216 ; bastard # 180 ; kid. He suggests that they make love but the mendicant adult female frights for the kid # 180 ; s safety. The gentleman # 8216 ; desperate # 180 ; to score the hapless adult female offers to hold the kid tied to his dorsum, this had evidently been the mendicant adult female # 180 ; s program. She had out witted him and ran off go forthing him with the load and duty. At the beginning of the verse form the gentleman has set off to travel runing but alterations his head and decides to # 8216 ; run down # 180 ; and score the mendicant adult female. # 8216 ; A gentleman in runing rode astray, more out of pick, than that he lost his way. # 180 ; The mendicant adult female is described sympathetically. # 8216 ; A mendicant by trade, yet non so average, But that her cheeks were fresh and linen clean # 180 ; . She was a respectable adult female ; antediluvian linguistic communication is used when he propositions her. # 8216 ; Mistress quoth he and if we two should retire a small manner into the forests # 180 ; . The mendicant adult female agreed. # 8216 ; She need non courtship to be sort # 180 ; . It was hard for her to maintain up because she had a babe on her dorsum. This # 8216 ; hinders # 180 ; her advancement. Again she is favourable described. The gentleman pressurizes her to expose herself but she is afraid and suggests that they retire to a more private topographic point. She makes an alibi when asked to sit # 8216 ; sitting # 180 ; s non normally in my trade # 180 ; . Here the verse form takes the from of a duologue. Desperate for satisfaction the gentleman suggests that the adult female should unbrace the kid and lay it on the land. She protests and says the kid will shout and pull attending to them ; this will stain the gentleman # 180 ; s award. He suggest that kid be strapped his dorsum, the adult female I quick to unbrace the kid and passes over the load. # 8216 ; With velocity unbelievable to work she goes, and from her shoulder shortly the load throws # 180 ; . She ties the sheet around him # 8216 ; like a cross # 180 ; this effectual simile implying, like Jesus he will transport the wickednesss of the universe on his dorsum. The mendicant adult female out wits the gentleman she runs off and leaves him with the duty of the bastard kid, he will pay for his pleasance. This is a verse form about lecherousness, non love.

The Internet, Past, Present, and Future

The Internet, Past, Present, and Future Some thirty years ago, the RAND Corporation, America's foremost Cold War think-tank, faced a strange strategic problem. How could the U.S. authorities successfully communicate after a nuclear war?Post-nuclear America would need a command-and-control network, linked from city to city, state to state, base to base. However, no matter how thoroughly that network was armored or protected, its switches and wiring would always be vulnerable to the impact of atomic bombs. A nuclear attack would destroy any conceivable network.How would the network itself be commanded and controlled? Any central authority, any network central citadel,would be an obvious and immediate target for an enemy missile. The center of the network would be the very first place to be destroyed. RAND mulled over this grim puzzle in deep military secrecy, and arrived at a daring solution. The RAND proposal was made public in 1964. In the first place, the network would 'have no central authority.'English: ARPANET logical map circa 1977Furthermore,it would be 'designed from the beginning to operate while in tatters.'The principles were simple. The network itself would be assumed to be unreliable at all times. It would be designed from the beginning to transcend its own unreliability. All the nodes in the network would be equal in status to all other nodes, each node with its own authority to originate, pass, and receive messages. The messages themselves would be divided into packets, each packet separately addressed. Each packet would begin at some specified source node, and end at some other specified destination node. Each packet would wind its way through the network on an individualbasis.The particular route that the packet took would be unimportant; only final results would count. Basically, the packet would be passed from node to node to node, more or less in the direction of...

Compare Short Stories Essay Example | Topics and Well Written Essays - 250 words - 1

Compare Short Stories - Essay Example material assets. He regards every relationship to be driven by politics and fails to find any relationship that is purely based on love. Sammy has been presented as a character that is very upset about the norms of his surroundings. Although he has worked at the super store for a considerably lengthy period of time as is reflected by the way in which he remembers â€Å"cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft-drinks-crackers-and-cookies aisle† (Updike, 228), he finds the store extremely unappealing. This is partly due to the nature of behaviors of people that he encounters on daily basis, as well as the nature of business that his super store practices. Taking a closer look at Krebs’s behavior regarding his community and Sammy’s perception regarding his superstore job, reveals that fact that both characters are dissatisfied with the prevailing system. The reason for this discontent appears to be the gap that prevails between their ideals and the reality. Both characters are in fact reflective of the feelings of people who are truthful in their stance and are yet subjected to unfavorable behaviors of the people surrounding

SEARCH AND SEIZURE- CRIMINAL LAW Research Paper

SEARCH AND SEIZURE- CRIMINAL LAW - Research Paper Example Since the enactment and implementation of this law and its subsequent amendment known as the 4th Amendment, there have been several public and academic reviews on the law. Whereas some of these reviews seek to educate the public on the mandate and interpretation of the search and seizure law, others seek to criticize the law whiles others on the other hand seek to magnify the merits of the law. In this essay, there is an integrated approach to critically analyze the search and seizure law from the view points of as many schools of thoughts as there are on the law. Overview of the Search and Seizure Law The search and seizure law entails much more than we hear in its name. This is to say that the law goes beyond just searching a person or a place and seizing items. Broadly, â€Å"â€Å"Search and seizure† refers to the methods used by law enforcement to investigate crimes, track down evidence, question witnesses, and arrest suspects† (US Legal, 2011). This means that the search and seizure was enacted with the need to track down on criminal activities by gathering and gaining enough grounds for evidence and conducting investigation. For example when a civilian gives off a police tip about a person involved in the dealing of drugs, one of the best ways the police can gather evidence on the authenticity of the suspicion on the otherwise of the suspicion is to search the suspect or his or her premises. In case drugs are truly found, the police would best represent their case in court when they seize the drugs as evident. The application of the search and seizure law in the United States however varies from State to State (US Legal, 2011). The fundamental principle based on which the law works however remains the same; regardless of the State using the law. Due to the technicality of the search and seizure law, it is ably backed and guided by other constitutional laws, commonly known as the 4th Amendment. Search and Seizure and the 4th Amendment Laws a re made to protect the citizenry. This means that laws must be devoid of rooms that permit the abuse of the fundamental human right of people. Having talked about the concept and idea behind the search and seizure law, one may be tempted to think that the search and seizure law would give room for the police and perhaps other security and intelligence agencies to abuse the privacy and safety of civilians. This is far from true. This is because the mandate of the police in using the search and seizure law is controlled by the 4th Amendment. In this regard, Bergman (2010) explains that â€Å"the 4th Amendment to the U.S. Constitution places limits on the power of the police to make arrests, search people and their property, and seize objects and contraband (such as illegal drugs or weapons).† This is to say that the 4th Amendment is a policing tool for the police in executing their search and seizure jurisdictions. The 4th Amendment works on the principle and basis of privacy o f individuals. At the same time however, the 4th Amendment preserves the sanctity of the search and seizure law and therefore strikes a balance by protecting individuals against unreasonable search and seizure and not just against search and seizure. Bergman (2010)

Analysing The Reggae Music Genre Music Essay

Analysing The Reggae Music Genre Music Essay Reggae, although not as popular as it was a few decades ago, is one of the most widely appreciated genres is modern music history. With reggae being so widely spread almost everyone could recite a reggae lyric even if they are not fans of the music and influential artists such as the legendary Bob Marley are well known and are still celebrated to this day. Although reggae is possibly the most popular genre in Jamaican music it was certainly not the first of its kind in Jamaica, with reggae having a few predecessors and a vast history that made reggae what it was today. The very beginning of reggae could be seen in the early 1950s in the run down areas of Downtown Kingston, Jamaica with the emergence of the Sound System. It is thought that the birth of the sound system came about when they were used during the intermission of a dance orchestra. It was soon realised that the sound systems were much cheaper and needed no breaks and soon replaced the dance orchestras all together. Eventually the sound systems became booming business opportunities and many of the liquor barons in Kingston made a good fortune playing the popular American Rhythm and Blues of the time. Music business entrepreneur Derrick Harriott recalled his experience of the sound system street parties: Being part of the crowdwhen a big sound system was playing was probably the greatest feeling in the world to any Jamaican kid. But if you had aspirations to make music then it was magical (Bradley, 2000:3). The sound system business very competitive and by the end of the 50s sound system owners opened up recording studios (this included the famous Studio 1 owned by Coxsone Dodd) to create exclusive tracks that would only be owned by the sound system owners. The sound system owners would audition hopefuls and would agree to record the best to make a Jamaican version of RB and it is then that marks the creation of Ska. A few years later on August 5th 1962, Jamaica was made an independent state after 300 years of British rule and the soundtrack to this new freedom was the newly invented Ska. It was this freedom that boosted the popularity of Ska and made it a huge success in Jamaica although it was mainly popular around the poor areas of Downtown Kingston and was not really accepted in the rich Uptown Kingston. Around the beginning of the 60s, many Jamaican musicians moved over to England to try their luck in the business which this started an underground Ska scene in London and eventually the scene became popular that it moved from West London to the West End. In 1964 the popularity of Ska heightened with the release of My Boy Lollipop by Millie Small and Ska became the national sound of Jamaica. Although Uptown Kingston had finally accepted Ska, the mood was changing Downtown to relate with a slower pace in times. Downtown was poverty stricken and many were unhappy with the way the country was being run, so with slow times came a slower rhythm and this was the birth of Rock steady. Rock steady took inspiration from American soul and RB and many of the songs were Boy meets Girl stories. Although this period was considered the most glorious phase in Jamaican music, Rock steady lasted 18 months but due to Jamaicas problems worsening the music became more serious with heavier bass lines, a faster tempo and the subject matter based around social occurrences. People were looking for a revolution, and thus reggae was born. In the beginning reggae, much like any genre, was relatively unknown but although it was a Jamaican export, reggae had a large underground following in the UK partly due to the now settled Caribbean community that lived in London. Even the Mods who were big Ska fans had turned to reggae and eventually the Mod culture morphed into what is known as the Skinhead culture, Skinhead having a different meaning to what it has today. UK sound system owner Vego recalled selling the reggae records at the time: When I first come here there werent any record shops selling our kind of musicWed go to dances with the records and give the tunes to the sound man to play, and when he see the reaction of the people in the dance then hed have to buy it he wouldnt have a choice.(Bradley 2000:123). Even with this mass underground following it was not until 1972 with the release of the major motion picture; The Harder They Come did the popularity of reggae skyrocket. The Harder They Come was the story of a young hopeful musician turned outlaw and showed what it was to live in the ghettos of Jamaica and the importance of reggae culture in Jamaican society. The film boasted a soundtrack that became just as popular as the film (the soundtrack was the highest sold reggae album at the time) containing songs like the title track; You Can Get It If You Really Want by Jimmy Cliff who was also the main protagonist in the film. The film developed a cult status and is considered one of the main sources for the popularity of reggae in the rest of the world. A year later, Ska-turned-reggae band The Wailers released the famous Catch a Fire album (not only for its lyrical content and tone but for its impractical cover sleeve too) which not only boosted the popularity of roots reggae but also for The Wailers, especially their legendary frontman Bob Marley, careers too American guitarist Eric Clapton is also credited with the popularity of reggae in the Western world when his cover of Bob Marleys I S hot the Sheriff reached number one in the US charts in 1974. With reggaes popularity peaking in the late 70s many rock bands including The Clash and The Police adopted a reggae style creating a reggae-rock fusion which proved to be very popular as these two bands have gained a legendary status. Unfortunately, reggaes biggest star Bob Marley was diagnosed with skin cancer and on 11th May 1981 he passed away at the age of 36. Many say the death of Marley was also the death of reggae itself, as Marley has been synonymous with the genre. Nobody could recreate the buzz or the style that surrounded Marley and eventually many stopped trying. However in 1984 a greatest hits album entitled Legend was released and became a huge success, selling over 25 million copies and becoming the second longest charting album ever making it the bestselling reggae album of all time. Much like any genre reggae has its superstars and upon hearing the word reggae most people think Bob Marley. Although there were many other influential artists in the genre, it was Marley who made a significant imprint on reggae as a whole. However, Marley was not always singing solo

Race and Ethnicity Essay

The ongoing struggle to fight the skin color prejudice in the contemporary American society is portrayed in Michael Jackson’s song â€Å"Black or White. † Whereas the racism is defined as a superior behavior against other race-thus making it inferior, the singer refers to this term as â€Å"See, it’s not about races, just places, faces, where your blood comes from is where your space is. † Michael Jackson, one of the most influential artists in the music industry, calls for equality in how people view and behave towards each other. The question, which this master thesis investigates, does it matter if you’re black or white, is clearly answered by the singer: â€Å"It don’t matter if you’re black or white. † Jackson was trying to influence his society to act in a similar way and he calls for them to live their lives by Dr. Luther’s dream â€Å"†¦. judged not by the color of their skin, but by the content of their character. † However, almost thirty years later, it still seemed only as a dream because he sang: â€Å"I’m tired of this Devil†, where the bad is being represented by the prejudice. At the same time, he clearly states: â€Å"I’m not gonna spend my life being a color† – this is where he makes his conclusion. This can imply that even though he doesn’t discriminate and would like to see color prejudice gone, he is still being discriminated against. While being the most prominent artist in the music industry, he still calls himself â€Å"a color† and he rebuts against it and wants to be seen for the person he is and not the pigmentation of his skin. It is widely known that Michael Jackson had many facial plastic surgeries and it is controversial whether or not he altered his skin color by chemical peels or was it the disease called vitiligio that changed his face color to white. Therefore, it can be speculated that he modified skin to appear white, which ultimately is his vision. It can be further questioned – since Michael Jackon can’t win his struggle for racial equality, did he give up and go white – just to end his inner battle? Will all his suffering come to closure since now he looks white? Is this the true answer? It may be deemed as so since the skin color is the guide of one’s position in the society where being white claims supremacy-control and power. It should be noted that Michael Jackson is one of the greatest musicians of all times, having sold over 750 million records worldwide. He has accomplished so much in his life, yet still feels inferior and calls for racial equality in the world. His vision for a better world to live in, free of racism, ends on a sad note: â€Å"It’s black, it’s white†. To summarize, through decades, the blacks have fought to be equal, as the American nation shall guarantee those rights, yet, the society is still divided into the superior, the whites, and inferior- the blacks (and other people of color). Blacks have always been portrayed as the dirty, the poor, the lesser-of-a human type whereas the whites are seen as the dominant, the good type. Again, Jackson does not agree with this stereotype in saying: â€Å"I ain’t second to none. † Moreover, he claims that he will no longer be scared and mentions historical symbol of a KKK group: â€Å"I ain’t scared of your brother, I ain’t scared of no sheets. † With his passing in 2009, many of his inner struggles come to the end, but will the next generation start working on being color-free as the king of pop envisioned? America has always struggled with racial issues, especially those of black and white. Some them included racial segregation, education, workforce, banking and even seating on the bus. Black people continuously tried to â€Å"break thru† into community, but were always pushed aside as dirty, poor and unwelcome. We, in modern times, see the United States of America as a country that treats everyone equal. Americans should all be all equal, no matter what race, color, religion or any other characteristics they have. After all, we all remember year 2009, which is when Americans elected their first African American President. Question that comes to mind – why â€Å"first African American President,† not just simply their 44th President? So – the race and color of your skin does matter in modern times. My analyses of selected books, academic journals, films and music video will concentrate and argue if Americans indeed discriminate against race or if it is history and no longer exists in American life. First, I would like to take into consideration the iconic Michael Jackson, one of the greatest, perhaps the greatest singer and performer of the 21st century. Not only his songs deserve a closer look, but also his lifestyle – ideas, fears and the public opinion. â€Å"Black or White† by Michael Jackson and Bill Bottrell is a one of the greatest singles in Michael’s career. It was released on November 11, 1991. What inspired Michael to particularly select these two topics? Black or white – as implied in the song, he sings about skin color. Songs starts in Africa, possibly showing Jackson’s â€Å"beginning† – he is black. In one of the scenes, Michael sings â€Å"I ain’t scared of no sheets; I ain’t scared of nobody† – while he is walking through fire images – which is being compared to KKK and its torch ceremonies. Here, he is portraying his painful vision of KKK and its vision. Later, the performers sing â€Å"I’m not gonna spend my life being a color. † What a great statement. Michael, throughout his whole life and his career, shows us his inner and constant fight for a non-racial America. Being black himself, he had struggled and finally came to the top, but still did not achieve the level of happiness – which is â€Å"no color† in his country. Later, Jackson sings on Statue of Liberty’s torch, again possibly reminding us about the KKK, and at the same time – the Statue symbolizes liberty, which for him will be color-free, no discrimination America. We shouldn’t forget about Michael’s actions in this video. In the original version, he is smashing the car, windows and the inn exploded. However, later he had to edit this version to minimize his violent behavior, however. He altered it by adding four racial graffiti messages onto the windows that he was smashing. As I suggested earlier, Michael Jackson is portrayed as an angry black man who simply hates the discrimination against black people and shows his feelings by destroyed his surroundings, as he was being destroyed himself –just for being of black color. In is interesting to observe, the Jackson, when asked to change his destructive aggressive music video, he indeed did change it, but didn’t forget about this hostility towards discrimination. He had just portrayed it differently (graffiti). First message reads: â€Å"Hitler Lives,† then â€Å"Nigger Go Home,† â€Å"No More Wetbacks,† and finally â€Å"KKK Rules. † It can be argued if Michael Jackson is simply smashing windows with those painful ideas – is destroying them – to make a better world? Finally, the song comes from the album â€Å"Dangerous. † What did the author have in mind? Are all of those issues, painful experiences and the fight for non-colored America dangerous? It can be argued that yes. Jackson showed us the dangerous side of being black, where he was always forced to fight and that causes different sorts of trouble. In â€Å"Black or White,† Michael brilliantly portrayed two core problems people were facing daily: black or white. As we look at his lifestyle and constant metamorphoses, Michael Jackson had numerous surgeries that altered the color of his skin and make him â€Å"white. † It is very controversial as many sources quote that Jackson had a condition where one looses a pigment of his skin, called vitiligo. However, Michael Jackson public image is seen as a person who constantly tried to be white, therefore, sought surgeries to help him attain this goal. Michael Jackson shows us that it could have probably been easier to make himself white and not struggle for color-free America, where everyone is equal, no matter of who there are or what they look like. It would also be important to analyze some of the lyrics from Jackson’s music video. He sings: â€Å"I had to tell them I ain’t second to none. † It can be understood that he no longer is accepting the fact that black is â€Å"second,† which is worse, just because of the color. He continues: â€Å"And I told about equality† – he tells us he wants to be considered equal, despite his skin color. Next verse, he has really had enough of being pushed around because he is black â€Å"I am tired of this devil, I am tired of this stuff, I am tired of this business. † Finally, he talks about racism in: â€Å"See, it’s not about races, Just places, Faces, Where your blood, Comes from, Is where your space is, I’ve seen the bright, Get duller, I’m not going to spend, My life being a color. † Here Michael Jackson compares himself to simply being a â€Å"color. † He is less than a human being only because he is not white. He is â€Å"black. † Again, he accents his refusal of living his life being black. He wants to be equal, equal to white. It should be also noted that throughout video, Michael Jackson is wearing black and white clothing (white shirt, black blazer, white accents on his right arm and nails, black shoes, white socks). He seems to be a person caught in a black-and-white world and struggles to change it, showing his pain. However, at the very end, he turns into a black panther. This transformation may symbolize him as a black man who will fight for his rights, yet, still remain black. In book â€Å"The Color of Credit: Mortgage Discrimination, Research Methodology, and Fair-Lending Enforcement† Stephen L. Ross and John Yinger present racial issues and argue the importance of skin color in banking. It should be noted that this book was published in 2002, year where we all think that American people are equal, especially on racial basis. Therefore, why and how does the skin color come into play in banking? First, the American lenders take many factors into consideration when disbursing the mortgage. Such factors include many details such as the creditor’s ability to repay the loan – where the lender accesses the potential risk of losing the loan. There are many different lenders and they base their information on statistics, demographics and make final decision based on the risk factors. Research showed that mainly blacks would seek loans, which are not favorable to all lenders. Therefore such bank does take race into consideration when reviewing for application for credit. It is also shown that blacks will most likely work with subprime lenders (44%) with comparison to whites (only 4%). Blacks generally cannot use the prime mortgage market due to their poor qualifications, thus creating the black to white ratio of getting the mortgage – with figures of 2. 28 denial for prime market and 1. 27 for subprime. At the same time, limited research shows that blacks-even though have some qualifications as white – would remain in the subprime market and thus be charged higher fees. Equal Credit Opportunity Act says: It shall be unlawful for any creditor to discriminate against any applicant, with respect to any aspect of a credit transaction—on the basis of race, color, religion, national origin, sex or marital status, or age (provided the applicant has the capacity to contract). (U. S. Code Title 15, Chapter 41, Section 1691) This would mean that all people should be treated equally in banks, when doing business in banks, no discrimination in credit transaction. However, authors argue that the bank may take a different look at the person and who they are in â€Å"business necessity† can be proved. Therefore, even while it is regulated by law, certain discriminatory practices can and do exist. Later, it would be rather hard to prove that the lender discriminated based for example on race. All regulations are not very clear and courts find it hard to find such a connection of discrimination. It is implied that blacks, with poorer ability to repay, living in lower income communities, must face subprime, expensive mortgages – to possibly make as much money as possible in the shortest time-so if the black borrower defaults on his payments, the lender wouldn’t lose its investment. This is to compare with the white borrower who lives in the richer-type setting, is more likely to meet his payments, therefore, he is offered a prime mortgage rate, without the necessity to further secure the loan. It can be argued if blacks and whites are treated equally, despite many regulations. On one hand, the lender must adhere to all necessary regulations, but on the other hand, such institution can make necessary decisions to make that mortgage profitable – thus, taking all factors into consideration in the application process. We can further analyze that race and color of skin does matter when one is being evaluated for such an application. It is believed that whites pose a lower risk to a financial institution than blacks. This also means, as authors point out, that black are less likely to be approved for a higher-priced home than a white person, which causes the real estate agents to discriminate and not show the more expensive houses to blacks. Maybe they don’t discriminate, they just know that lender is not likely to approve a black person in comparison to the same application of a white person? It is particularly important to note that authors point out that ‘‘on average, black mortgage applications have higher loan-to value and debt-to-income ratios than do white applications. ’’ In closing, it should be noted that while many regulations exist, there is no proof that racial discrimination has gone away and some research suggests that blacks still have lower approval rate in comparison to the whites. It is said that race does play a key role when the lender looks at your mortgage application.

Drilling Engineering Lab Report

Lab Report: DRILLING FLUID (MUD) DENSITY Objective: The aim of this experiment is to determine the mud density, specific gravity and hydrostatic pressure gradient for water-based-mud, WBM (Drilling fluid) using the OFITE mud balance. Theory: Drilling fluids are used during the drilling of boreholes, either for oil wells or water boles holes. One of the major functions of a drilling fluid includes providing hydrostatic pressure to prevent formation fluids from entering the wellbore. To ensure that the hydrostatic pressure balances out with formation pressure and that the wellbore is stable, the mud density has to be taken into consideration. Higher formation pressure require higher mud density (this can be achieved by adding more barite to the drilling fluid) and vice versa. Using an incorrect drilling fluid (in terms of its mud density), can result in a formation damage thereby leading to a well blowout. Equipment and Materials: The mud density is determined using the mud balance shown in Fig. 1. This 4-scale instrument provides an accurate way to measure some parameters which are: Fig. 1 * Density in ppg and pcf * Specific gravity * Pressure gradient in PSI/1000ft) The balance uses the cantilever design (fixed somewhere on the lever arm). The cup is attached to one end and the counter weight on the other end. The lever arm is calibrated, the rider also acts as a counterweight and there is a level glass to determine when the instrument is balanced. A thermometer is also required to measure the temperature of the drilling fluid to be tested. Procedure: The instrument was wiped down and then place in the carrying case. * The temperature of the first drilling fluid (water) was noted down * The mud cup got filled up with the drilling fluid and covered. It got wiped down due to the overflowing liquid from the sides and the opening on the lid. This overflowing shows that the trapped gas/air bubbles, if any, have been expelled and the cup is properly full. * The rider is then moved on the arm to find the equilibrium position i. e. when the bubble in the level glass is in the middle. * The readings are then taken. The cup is rinsed out and wiped down, ready for the next drilling fluid. * The procedure is repeated again, to find the details of the drilling fluid and all results are recorded in a table. Table of Results: | WATER| MUD SAMPLE| Temperature, ? | 19. 60| 17. 00| Specific Gravity | 1. 00| 1. 04| Density, lbm/ft3 (pcf)| 62. 00| 65. 00| Density, lbm/gal (ppg)| 8. 30| 8. 70| Density, Kg/m3| 1000. 00| 1043. 00| Pressure gradient, psi/1000ft| 430. 00| 455. 00| Mud gradient = 8. 7 x 0. 052 = 0. 45 psi/ft Density in g/cm3= 8. 7/8. 345 = 1. 04 g/cm3